Festival Review 2019 has arrived

Clicking the Issuu link above will allow you to scroll through an oline magazine version of the Review. If you prefer, you can download a PDF of Festival Review 2019, here.

Since 2016, the Liverpool Irish Festival has written an in depth review of the year before (an annual report, if you will). The review focusses on the reach, range and experience its work provides. This is a critical document for understanding our work, who we reach and where our weak points are. Whilst we are extremely proud of the work we do, we know there is always more to learn. This helps us do that.

For instance, in 2019 we connected with over 35,000 people and in 2018, we reached 32 of 40 residential post codes in Liverpool. Which are the eight missing and how can we address this? Why do we attract more women than men and is this bad thing? We’ve managed a press reach of over 20m for two years – how?

Front covers of Festival Reviews

Front covers of Festival Reviews

Below you will find links to the reviews we have written, complete with feedback from audiences. We use these documents with our funders, stakeholders and partners. They show the range of information we collect and work we undertake to understand you and impact our work has.

If you would like to discuss anything from any of our Festival Reviews, please contact us on [email protected]


 

Mary Hickman - Auntie Joan - PHOTO-2020-09-13-13-55-06-web

Lockdown Lights: Auntie Joan

In memoriam Auntie Joan (Joan Boyce) I can’t remember a time Joan was not in my life, she is in so many of my significant memories. Being her bridesmaid when I was six, with my sister and cousin. Many visits to see her where she and Uncle John first set up home,in The Nook, Ullet […]

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ACE HereForCulture

Here for Culture

The Liverpool Irish Festival are pleased to anounce that we have been awarded Cultural Recovery Funding from Arts Council England, under a project they have labelled ‘Here for Culture’. In 2020, we have made almost 20 funding applications, far higher than we would normally make. Before today’s news, just five had been partially successful, so […]

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Patrick Kielty

Liverpool Irish Festival 15-25 October

Ten days of music, performance and conversation shifts online for 2020 Patrick Kielty spearheads programme exploring theme of “exchange”. Liverpool Irish Festival returns with a virtual programme in 2020, celebrating the connections between Liverpool and Ireland. In a year of change and turbulence, the Festival explores exchange through art, conversation, music and history, how it […]

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Fundraising-web

CARA

As Coronavirus swept the globe and organisations planned what their next steps would be, a new Liverpool network of Irish service providers emegered called CARA. Spearhaded by colleagues at Irish Communnity Care, numerous organisations came together to reach in to communities to make sure we and they were networked, supported and heard. The exchanges this […]

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Mike Byrne An Easy Setting 45x26x14cm

In the Window: Mike Byrne

Annually, the Liverpool Irish Festival sets a theme and a creative brief. We work with partners to develop work and engage artists. Bluecoat Display Centre has been a key player in developing design and craft in Liverpool, nationally and internationally, since the 1950s. Who better then to partner with each year to find an Irish talent? […]

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Irish in Britain-Culture forum screen grab-web

Irish in Britain

Brian Dalton is the CEO of Irish in Britain, a membership agency representing Irish communities across the country, at local and national level. In recent months, our organisational exchanges have been based on shared advocacy, cultural collaboration and having Irishness understood properly within the context of policy, funding and BAME. On a more personal level, […]

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Mrs Shaw Herself -web edit

The Strangest of Irish love stories

In:Visible Women have long been a focus of the Festival. We’ve seen many unveiled over the years; often the equally strong partner of a famous man (such as Constance Markievicz or Maude Gonne). Alternatively, they have had their light diminished because they did not fit the social-stereotype (Eva Gore-Boothe) or threatened the patriarchal order (Kitty […]

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Maz O'Connor (84) (1)-web

In:Visible Women come to the fore…

We met Maz O’Connor in 2018 when we began discussions with her about being part of our In:Visible Women programme in 2019. Featuring as one of the guest performers at our Visible Women night at the Liverpool Philharmonic, Maz’s gentle demeanour belies her determination, drive and tenacity. Maz is proof that femininity can be strong, […]

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DSCN1189-web

Changing faces: immortalising the deserving

Nigel Baxter is a Liverpool Irish stone mason. Liverpool has a ubiquity of stone – from the smooth Asian slate of Liverpool ONE, to the warm red local sandstone of the Anglican cathedral; the corbels of St Nicholas’s Church and the Irish granite of the dock kerbstones and Irish Famine memorial. Interesting for us then […]

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Sketch001-web

A view from without: Kilkelly

Kilkelly is a project led by Irish singer-songwriter Conor Kilkelly, based in Berlin. With collaborators from the city’s thriving “Dark Folk” music scene, Kilkelly released debut album The Prick & The Petal last year, which was showcased in full at #LIF2019, with accompanying art book by collaborating artist and Kilkelly vocalist, Stephanie Hannon. This year […]

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Vincent Higgins in Green & Blue Kabosh 6-web

Theatre to provoke exchange: Kabosh

Kabosh were introduced to the Festival by the Commission for Victims and Survivors. Our original intention was to bring a production to Liverpool, but “the best laid schemes o’ mice an’ men, gang aft a-gley”, as Robert Burns famously stated. Instead, we take  a look at how arts exchanges can inspire, provoke and confront reconciliation […]

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LESSONS OF WAR by OLIVER JEFFERS

Lessons of War: Matt McGinn

One of the big lessons I will take away from Lessons of War is the recognition that how I grew up wasn’t exactly normal… I’m from a small village in Co. Down, in a place sometimes referred to (even by myself) as Ireland, Northern Ireland, the north of Ireland… How I name it depends really […]

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