Carrie Barrett is a Limerick-based creative writer, undertaking an artist residency during #LIF2022. Here she discusses hunger as a driver.
Category: Performance & Poetry
The Wife of Michael Cleary
The Wife of Michael Cleary is a musical theatre piece, devised and composed by Maz O'Connor. It is based on the 1895 murder of Bridget Cleary.
Glór ar Inis Gluaíre
Glór ar Inis Gluaíre is a Nicola Lavelle's first children's book, based on Ireland's folklore stories of the Children of Lir.
Jack Byrne: The Ghost in the Room
Jack Byrne's contribution to 'Being Irish', a collection of 100 articles from the global Irish community Liffey Press (Dublin) in October 2021.
Liverpool Writes 2021 competition
Each year, Culture Liverpool galvanises the city’s efforts to create, under a prevailing medium.
Competition alert!
Get a short piece printed in this year's Festival newspaper, by entering our competition, held with Liverpool Year of Writing.
Finding Bridget
Maz O’Connor came to the Festival’s attention in 2018 when she discovered and shared stories unearthed about her family’s Irish connections.
Creative commission for Irish led work
A £1,000 commission is available for a creative project, centred on Irish and/or Gaelic creativity, to form part of #LIF2021.
Lockdown Lights: The Simmy
In solitude I came at last on this exhausted ground,
Of tarmac, stone and railing
Where sandstone pillars bear quiet testament
To this abandoned field.
Sweet soil, that once gave birth to daffodils and snowdrops
To mark each year the hope of spring.
Now you lie trampled underfoot and barren
To hold on our behalf the burdens of the past,
As if it is that easy to forget.
Is there prospect of redemption here?
Should I stretch out upon this ground, as is the tradition,
To weep my tears into the soil?
Claw the senseless earth
Conjure it to life and claim it back?
Is there a city underneath this hardened skin?
Where souls more bone than flesh
Once came to rest here in the heart of Vauxhall,
America for them a dream too far?
No stones, no stunted grass or tarmac grit can now remember.
Nor children, nor passers-by.
Who now recalls that here a church once stood
To proclaim this derelict burial ground
Where old dead bones still tremble to the rhythm of the lorries’ thunder?
Here, your dignity in death was the kindness of strangers.
The grandeur of the church not granted,
The sky became your vaulted canopy
The salty mist your unction.
The merciful dark your coffin.
In threadbare winding sheet, by single candle-light,
They passed you down from hand to hand
Their solemn prayers each whispered to the wind.
Do lingering bones still cower here
Like the jagged ribs of some old shipwreck?
Are there skulls? Each an empty tabernacle
That once cradled memories of a life?
Here in this no-man’s -land
Light as a feather you were left.
And as they lowered you,
Might one last breath
Have been released,
To wing into the western sky
And escape this ground forever?
Written and provided by Greg Quiery, poet, historian and author.
Lockdown Lights is an open source project, collecting community stories about people’s experience of the lockdown during the 2020 Coronavirus restrictions. The project was funded by the Irish Government’s Emigrant Support Programme Covid-19 relief fund. We would like to thank all the participants and the Irish Government for their support.
Lockdown Lights: Eavan Boland tribute
Celebrated poet Eavan Boland passed away during 2020. To mark her passing and to the reflect the Coronavirus lockdown reegulations, we selected her poem, Quarantine, as one of two poems we asked people to record themselves reading and send back to us. The followin film was presented and debuted at the Festival’s digital #LIF2020 launch on 15 Oct 2020.
Quarantine
Eavan Boland, born Dublin, Ireland 1944-died Dublin, Ireland 2020.
In the worst hour of the worst season
of the worst year of a whole people
a man set out from the workhouse with his wife.
He was walking—they were both walking—north.
She was sick with famine fever and could not keep up.
He lifted her and put her on his back.
He walked like that west and west and north.
Until at nightfall under freezing stars they arrived.
In the morning they were both found dead.
Of cold. Of hunger. Of the toxins of a whole history.
But her feet were held against his breastbone.
The last heat of his flesh was his last gift to her.
Let no love poem ever come to this threshold.
There is no place here for the inexact
praise of the easy graces and sensuality of the body.
There is only time for this merciless inventory:
Their death together in the winter of 1847.
Also what they suffered. How they lived.
And what there is between a man and woman.
And in which darkness it can best be proved.
From New Collected Poems by Eavan Boland.
Copyright © 2008 by Eavan Boland.
Reprinted by permission of W.W. Norton.
All rights reserved.
Lockdown Lights is an open source project, collecting community stories about people’s experience of the lockdown during the 2020 Coronavirus restrictions. The project was funded by the Irish Government’s Emigrant Support Programme Covid-19 relief fund. We would like to thank all the participants and the Irish Government for their support.
Lockdown Lights: We Must Create
As part of our Lockdown Lights project, we selected two poems and invited people to record themselves reading them, so we could geneate a film, to share as part of this year’s digtal launch.
Active, positive and full of creative hope, Stephen James Smith’s poem We Must Create was selected in counterpoint to Eavann Bolanf’s Quarantine. We thank Stephen for allowing us to use the poem and share his version below. Loo jout for our film from 15 Oct 2020.
We must create to know who we can be
I say this for you, I say this for me
We must create to know who we can be
Early beginnings, heart beat warmth and you
First breath, eyes open a new point of view
Hands touch, ears hear, clocks ticking I am who?
We must create to know who we can be
Screaming out from within with a voice here
Notes flowing on air lulling the fear
Melody all around this atmosphere
We must create to know who we can be
Hearing truth in onomatopoeia
Boom, boom, belch, zoom, zap, playing with grandpa
While cookie cutting, baking for grandma
We must create to know who we can be
From scrawling with crayons to Lego bricks
From knitting needles, soft textile fabrics
To air-guitaring auld Jimi Hendrix
We must create to know who we can be
There are creative accountants, CVs
Tinder profiles where you look the bees knees
But best not to force it, it comes with ease
We must create to know who we can be
We heard a song sung, it helped ease the pain
We didn’t feel so lonesome as we sang the refrain
We forgot that feeling until we heard it again
We must create to know who we can be
From nursery rhymes to white collar crimes
What have you to say in uncertain times?
Have you a chance to change the paradigms?
We must create to know who we can be
Do you remember the time you heard an opening allegro
Or when that beat dropped and how it made your head go?
Some things make no sense unless you’re in flow
We must create to know who we can be
You may rise then fall, or fall then rise
An arc of a story contains no surprise
But how you tell it, therein the art lies
We must create to know who we can be
Artistry gives rise to community
We’re all part of a changing tapestry
There’s art history in identity
We must create to know who we can be
If you do it for the money you’ll be called a fraud
If you think you’re great company and you might be God
Delusions of grandeur aren’t that odd
We must create to know who we can be
There’s all sorts of forms, disciplines, levels
To challenge yourself in the intervals
Where you’ll find rivals and reasons for approvals
We must create to know who we can be
If it’s saved you from yourself
And now there’s no other way
It doesn’t matter how it moved you, welcome to the ballet
You’ve just found the peak of Parnassus, fair play!
We must create to know who we can be
I say this for you, I say this for me
We must create to know who we can be
We must create to know who we can be.
From Here Now by Stephen James Smith.
Copyright © 2019 by Stephen James Smith.
Reprinted by permission of Pace Print and the poet.
All rights reserved.
Lockdown Lights is an open source project, collecting community stories about people’s experience of the lockdown during the 2020 Coronavirus restrictions. The project was funded by the Irish Government’s Emigrant Support Programme Covid-19 relief fund. We would like to thank all the participants and the Irish Government for their support.
Lockdown Lights: On Exchange Flags
Back in old glory days, long since forgotten,
The flags here were smothered in snowy white cotton.
Soft as a carpet beneath merchant feet
King Cotton was plenty, King Cotton was cheap
It came by the Mersey, it came by the seas
By white canvass aloft in the westering breeze.
By Liverpool sailors, nimble and yar
Tough as mahogany, weathered as tar.
It came from the rivers, it came from the mud
It came from the kick and the stick and the blood
It came from the work line, the whip, the plantations
It came from the fracture and breaking of nations.
For cotton is gentle, fragile and light
Cotton is pure and pristine and white.
But the commerce of cotton, darker than death
Would barter your soul and crush your last breath.
It went by the engine, the steam and the rail
It went by the hundredweight, bail over bail
It went by Manchester, Bury and Preston
Blackburn and Bolton, and Darwen and Nelson
Where there’s brass for the boss, and poor spinning Jenny
Works hour by long hour for less than one penny.
Where the air is so thick it smothers the lung
And thundering loom drowns the Lancashire tongue.
Cotton by boll, by bag and by bale
For smocks and for shirts, for duck cloth and sail.
Cotton for mills, for ships and plantations
Enriching mill owners, impoverishing nations
Cotton for tyranny, hardship and slavery
Cotton for unions, resistance and bravery
Back in its glory days, long since forgotten
It came by the Mersey, that snowy white cotton.
Written and provided by Greg Quiery (20 Aug 2018), poet, historian and author.
Lockdown Lights is an open source project, collecting community stories about people’s experience of the lockdown during the 2020 Coronavirus restrictions. The project was funded by the Irish Government’s Emigrant Support Programme Covid-19 relief fund. We would like to thank all the participants and the Irish Government for their support.
This poem was offered specifically in relation to the Black Lives Matter protests of summer 2020 following the brutal murder of George Floyd in Minneapolis, Minnesota, USA on 25 May 2020. Black Lives Matter. Full stop.